The Homes and Studios of Famous Artists

From the Cultural Archives Concern

Photographer Isabelle Baldwin has curated and impressive image thread of the homes and studios of famous artists. The spaces range from ostentatious to austere, flamboyant to quaint, but there's one thing that they all have in common is personality.

The spaces are filled with furniture, art, and objects that are each little flourishes of individuality that tell you the people living there have their own vision. It seems like many of the items they've collected where rescued from the side of the road or collected from roadside antique shops and given a second life as a work of art to be sat upon, read the newspaper over, or just to add character to the space.

These spaces feel like they were designed for two things: Creation and restoration. You either want to curl up and read a book or sling paint on a canvas, both sides of the same coin.

Here's a few of my favorites. See the rest here: LINK

-Jake

Dusk Bunnies

From the Drawings Unit

The dusk bunnies come out at sunset. Can you spot all of them hidden throughout? There's 26 of them.

This is my 3rd winter in AZ since moving here in 2019 and while I love the sunshine, I miss those big snowy days we'd get in Utah and Connecticut. I think this piece is me working through those feelings.

I've been working on this on and off since December and it went through a handful of iterations before landing on a fox and a boy fishing. I knew it needed one more little element to make it special, and the idea of the dusk bunnies came to me. (Alison coined the name, brilliant!)

These little guys are like mini-abominable snowmen, the size of rabbits. They are curious fur-balls who come out at dusk, and are mostly harmless unless threatened. Here's a bunch of sketch explorations of them:

I made this into a print for my shop! It's available in three sizes and ships out immediately.

PATREON: Join now and see how I make illustrations like Dusk Bunnies from start to finish. Every week I show patrons the process of at least one drawing. At the end of the month some patrons get all my working files to learn from and pick apart. Sign up here: LINK

On Creative Capital

From the Inspirational Thought Unit

I like this quote from French author Gustave Flaubert:

“Be steady and well-ordered in your life so that you can be fierce and original in your work.”

There's another version of this quote that is a little more aggressive:

“Be regular and orderly in your life, so that you may be violent and original in your work.”

I assume he originally said this in French, and I'm having trouble tracking down its original text, but the meaning is preserved in both translations: It suggests that there’s costs to creativity and if you use it up on your day-to-day you’ll probably make your life harder and you’ll have nothing left to give to your creative work.

Being steady and well-ordered in life is a blessing to those people closest to you, and being fierce and original in your work is a blessing to people who read/watch/listen to your stuff.

-Jake

Chris Sanders' Allegory about Disney: The Big Bear Aircraft Company

From the Cultural Archives Concern

I had read this years ago and somehow forgot about it, but I think it's a remarkable animation artifact that sheds light on the eternal struggle between artists and executives.

This was submitted to a 1989 Disney Executive retreat where they would be discussing future plans for the company. Note: 1989 saw the release of The Little Mermaid, and both Beauty and Beast and Aladdin were in pre-production.

Sander's allegory compares Disney to an aircraft company and if you don't make better and better jets, the competition can easily scream past you. Sanders was worried that by continuing to make traditional fairytale movies they wouldn't be able to compete. And he was right. Disney had to evolve with the likes of Pixar, Dreamworks and Blue Sky pushing the boundaries of animated films...and that's why we started to see oddball films like Lilo and Stitch, Atlantis, and Treasure Planet. (Eventually Disney realized: why compete when you can own them?! And bought Pixar, Marvel, the Muppets, Lucasfilm, and 20th Century Fox, then shut down Blue Sky once they had the keys to the building).

ANYWAY: read Sanders full allegory here: LINK

Here's a nice follow up interview that he made with Cartoon Brew about it that gives the whole thing more context: LINK

(Thanks to friend of the newsletter Eliav for sending the link and reminding me of this!)

-Jake

The Honda White Fox Snowmobile

From the Office of Wheels

Saw this online recently: A cool Honda snowmobile that came out in the 70's. Looks like a G.I.Joe toy. Only 2-5 of these actually exist. Honda manufactured 200 of them, and had set up dealerships in the US to sell them, but safety concerns that someone would break their legs riding this thing caused them to recall the vehicles and they destroyed them.

It's a cool looking design though. Definitely some good inspiration for a space skimmer or something. Might us it in a Skull Chaser comic.

-Jake

New Years Pigs

From the Drawings Unit

I know we are two weeks into the new year and nearing the end of the shelf life of saying "Happy New Year," but I didn't get a chance to say it to you yet, so HAPPY NEW YEAR.

Did you know about new years pigs and gnomes? Apparently this was a big thing 100+ years ago (might still be, I don't know). In a lot of Northern European and Scandinavian traditions, pigs are a symbol of good luck and prosperity. I guess gnomes are also a part of the Christmas tradition in those northern lands and so you see a lot of gnome and pig Christmas/New Years Cards.

I thought I'd do my own this year...and I let the weirdness of the subject matter wash over me. Which resulted in me coming up with a pig wreath.

Alison and the kids gave it mixed reviews. So I didn't post it on IG, but I thought you'd like it.

Here's a bunch more pig and gnome cards I found online. There's more here LINK

PATREON: Join now and see how I make my illustrations from start to finish. Every week I show patrons the process of at least one drawing. At the end of the month some patrons get all my working files to learn from and pick apart. Sign up here: LINK

On Traveling

From the Inspirational Thought Unit

'Tis the season to take some time off and spend it with those you love. Over the last couple weeks I have had some of the nicest experiences with my wife and kids. It's been good to focus on what really matters in life: relationships. Life's hard enough as it is to do it alone, and I'm lucky to have them in my life. I like how Charles Shultz puts it:

"In life, it's not where you go, it's who you travel with."

-Charles M Shultz

This next year, whether it's neighbors, friends, business partners, your spouse, or your kids take some time each day to cultivate those relationships, and not just have it always be about the next destination. Lift, inspire, be inspired, share the load, or take a break and just enjoy the view from where you are.

-Jake

3rd Voice

From the Comics Division

Evan Dahm is maybe the most prolific indy comic creator I know of. He's completed massive comic projects with thousands of drawn pages. A real testament to just sticking to it and drawing on your book every single day:

He just launched his latest comic project: 3rd Voice and it looks cool.

Here's how he pitches it: "3rd Voice is a long-format fantasy graphic novel updating with one scene or so a week. It concerns an invented world in a state of apocalyptic crisis, and the precarious lives of many people therein."

Excited to read it this year as he drips out pages.

You can read it here:

Website: LINK

Webtoon: LINK

-Jake​

Life Sized Patlabor Model

From the Office of Robots

So cool to see that they made a full-sized Type 98 AV Ingram. More photos here: LINK

I've been a fan of Patlabor since the early 90's when I'd see the Hobby Japan magazines at the local hobby shop. I even squirreled away $15 of my lunch money to buy this Patlabor special issue so I could learn how to draw robots better:

On authenticity

From the Inspirational Thought Unit

This week I was trying to make a new youtube video and in the writing and recording I was getting a little full of myself. I was thinking I've got to amp things up in order to get noticed on Youtube. Beat my chest! Make the videos louder! More music ! More cuts! More extreme! (not mr beast extreme, but extreme for 'art youtube').

Thankfully, Alison intervened and told me to dial it back. WAY back. I think the fates also wanted me to chill out because after I recorded most of the video it turns out my microphone malfunctioned and I had no audio. So a day of work was trashed.

It wasn't wasted though. Can you imagine if I posted that monstrosity? Lesson learned.

In my quest to make a more viral video I forgot the thing that makes a youtube channel (or any relationship) successful: Being authentic.

-Jake

Gobli Prin

From the Illustrators Division

Remarkable character designs by Tokyo based illustrator Gobli Prin. If Yoshitaka Amano and old school Hayao Miyazaki had a baby you'd get the work of this artist. And yet, some how I think he's bringing something of his own to the table besides just his style. I don't know what he's cooking up, but I want to see a world book or comic or game based on his designs. Hoping this all leads to something!

I wish there was more out there about him; a website or something, but all we have are his twitter and instagram: LINK and LINK

-Jake

Alien Organic Robot

From the Office of Robots

This robot design by Japanese model maker nozomu looks like something from a fever dream. I love the organic shapes with small accents of rigid mechanical engineering. Such a cool design!

That red light is a nice touch. Looks like its scanning my soul. What do you think this thing is? A reconnoissance drone? A weapons platform? A communications amplifier? I kind of love its ambiguity.

Via: LINK

-Jake

The Chronicle of Georgia

From the Cultural Archives Concern

When I first saw a photo of this monument I thought it was an environment of some fantasy video game or something. Nope, it's an actual place, and the scale of it is massive.

From the Chronicle of Georgia Wikipedia "There are 16 pillars that are between 30–35 meters tall and the top half features kings, queens and heroes while the bottom part depict stories from the life of Christ."

Definitely want to visit this place some day. And will be using it for inspiration in environment design for a comic.

More photos here: LINK and LINK

-Jake

On what's real

From the Inspirational Thought Unit

From that article on Bontecou in the NY times I learned that at the height of her fame she left the New York art scene, disappeared from the art world, and moved to Pennsylvania to raise her daughter while making art in private.

I loved this bit towards the end of the piece:

She also objected to the notion that her retreat from the New York art scene constituted a disappearance from the art world — as if the art scene and the art world were one and the same. “I’ve never left the art world,” she told Ann Philbin, the director of the Hammer Museum. “I’m in the real art world.”

It is a reminder to me to check myself and see which art world I inhabit. Is the real art world I'm in the one of social media, portfolio sites, and online shops? Or is it the one at home and in the studio where life and creation are in harmony with each other?

Because the art you make is a product of the world you inhabit.

-Jake

The patchwork floating sculptures of Lee Bontecou

From the Arts and Culture Unit

I don't follow the fine art world too closely, and upset that I'm only now discovering the work of Lee Bontecou after her passing this week thanks to the rush of interest to remember her and her work.

There is a nice write up about here in the NYTimes here: LINK

Blurring the line between what is a painting and what is a sculpture, there's an industrial beauty to her sculptures. They remind me of the organic shapes machines and factories can sometimes exhibit as they try to accomplish processes that were born in nature.

She really was a nexus of universes, using her art to show us something only she knew about.

See more of her work here:

Moma page: LINK

Artnet.com: LINK

-Jake

Retro Video Phones

From the Cultural Archives Concern

I found a bunch of cool retro video phone designs from the previous century while researching industrial design styles for Red Shift Renegades. Thought I'd share them with you here.

What I love about these is how tactile and touchable they are. This is the future I imagined I'd be living in when I daydreamed in school about me being a 45 year old in the far flung year of Two Thousand and Twenty Two.

Who would have thought we'd all be just scrolling on a single universal rectangle of glass and metal. That's it's own kind of cool I guess, but I do love knobs, buttons, and big screens.

-Jake