Jake's Desk — MRJAKEPARKER.COM

Old art from my late teens and what I learned from it

Hello!

Hope you've had a great week.

Last week I took a trip down to Arizona to visited my mother, who isn't feeling very well. We got to catch up, and I took some time to clean up her shed. In it, I found a bunch of old artwork I had done in high school that I haven't seen since I packed up the box back in 2002.

I thought I'd share them with you and talk a little about what I was trying to learn with each piece.

This was one of many attempts to start a comic strip. There's a lot going on here. I was trying on a new style, and tried to learn what I could from the successful comic strips I followed in the 90's. I was figuring out how to do inking, panel structure, and storytelling.

I remember seeing an amazing ink drawing of Predator in a comic book I had. I wanted to ink like that so I came up with my own pose, but tried to copy the inking style. Not content enough to just draw a predator I had to mash it with Star Wars, so I gave him a light saber and some Mandalorian inspired armor. 

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One of my final projects senior art class was this inked Boba Fett with colored pencils. I felt like I had inking down at this point, but my coloring skills weren't there yet. I didn't know how to use Photoshop yet, otherwise I would've colored this digitally. Basically colored pencils were the best coloring option I had at the time.

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Another senior project was a cut out 3D paper assignment. I did Missile Mouse battling a space hydra over a barren moon. This monster was based on a bunch of Bill Watterson aliens. I remember I copied the pose of Missile Mouse from an X-Men comic drawn by Jim Lee. This was me putting a bunch of influences together to try and make something new. Skills that would become very valuable later on in my career.

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My friend came up with a character called Jet-Dog and this was my fan art of him. I was big into Appleseed and Superpatriot so I learned a lot about mechanics from those comics.

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I don't remember what this was for, but Hellboy had just came out and I was learning how to draw tentacles from those first few issues.

Here's some Star Wars letterhead I made when I was about 20 years old. This was in the late nineties when there wasn't as much Star Wars stuff all over the place. I saw a cool Spider-man letterhead that all these characters on it and I wanted something like that for Star Wars. So I drew my own! I made copies of this and wrote letters to people on them. (Also before email!) I learned a lot about graphic design and how to put a bunch of elements together. This would be soooo much easier with Photoshop now.

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And lastly, here's a Batman drawing I did when I was about 5. I was a BIG fan of the Adam West Batman series. I remember drawing this from a batmobile toy I had. What's cool is to see how my 5 year old brain simplified the shapes and only drew what was necessary to get the point across.

It's been fun to go through these, I haven't looked at this art in 16 years!

There's THREE take-aways from all of this:

1) Learning happens from experimentation. I did a lot of experimentation in my early years. I experimented with style, tools, subject matter, techniques, etc. This is how you find out how you make your own work. You take pieces of all of these and find what works for you.

2) Learning also happens from just A LOT of copying. I found pieces that really spoke to me and copied what I could from them to make my own pieces. Copying helps you close the gap between idea and execution.

3) Use each piece you do to focus on one skill. Even though your piece might be pushing you abilities in a bunch of different skill sets, have the main thrust of the piece be about learning one particular skill.

Alright, that's it for this blogpost. Thanks for reading!

-Jake


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On Doing Commissions

At the beginning of the month I tabled at Emerald City Comic Con, my favorite con to attend btw.

I don't normally take on commissions because my day-to-day is pretty packed with projects and jobs. However, when I'm at a con I use it as an opportunity to take on around 10 commissions. This is because I'm away from my family working all weekend anyway, I might as well fill the in the time gaps with drawing something. Not only does this make the con a better financial return on my time out of the studio, but I get to make something cool for someone.

This is also someone's chance to play art director. They get to be a part of the creative experience by imparting their imagination on my drawing skills. And together we come up with something wholly unique: an artifact that acts as the ultimate memento of that event and that particular thing of which the commissioner is a fan of.

With that, I thought I’d share some recent commissions I did for fans at Emerald City Comic Con.

Robo-pug

Robo-pug

Mech-Hulk dropped his coffee

Mech-Hulk dropped his coffee

Kikaider, from an old seventies Japanese show that I was not aware of until a fan asked me to do my take on it.

Kikaider, from an old seventies Japanese show that I was not aware of until a fan asked me to do my take on it.

Spent waaaay too much time on this one, but it was for a friend, and worth it.

Spent waaaay too much time on this one, but it was for a friend, and worth it.

Miranda from Mass Effect. Thought it would be cool to do her in a more cartoony style since she's always portrayed pretty realistically.

Miranda from Mass Effect. Thought it would be cool to do her in a more cartoony style since she's always portrayed pretty realistically.

Wake with the commissioner's dog Pip. (I actually did this on in my studio before Emerald City, as a special request)

Wake with the commissioner's dog Pip. (I actually did this on in my studio before Emerald City, as a special request)

Sometimes you just want a picture of a raccoon with a remote controlled car.

Sometimes you just want a picture of a raccoon with a remote controlled car.

Venom-Thor! I thought this was a pretty creative idea this guy had me do.

Venom-Thor! I thought this was a pretty creative idea this guy had me do.

This were a lot of fun. It had been over a year since I last did commissions like these.

If you're interested in getting an original pice of art from me, I post drawings in my shop from time to time. If you're wanting a commission, definitely hit me up at a con, (I'll be at Denver Comic Con in June) or shoot me an email. I'll let you know if I have the time in my schedule or not.

-Jake

Experimentation vs Execution

We are well into the 3rd month of the year here and I thought I'd share the drawings I've done for fun so far this year.

Been spending most of my time for the last 4 months on SkyHeart, so I haven't been drawing for fun as much as I have in past years. I think it's important to just sandbox draw because so many cool ideas come out of that. I get so busy with urgent work I sometimes forget to draw for fun. And by fun I mean exploration, play, and experimentation. 

I guess that's the way the pendulum swings. I used to draw an awful lot for fun and didn't making anything of lasting importance (like graphic novels or picture books). For several years I did a lot of exploration; trying to find new designs for characters and world building. I did a ton of exploration in my 20's and early 30's; figuring out what styles, mediums, and tools worked well for my goals. 

But now I'm in execution mode. Which means my last sketch book took a full 9 months to fill (I usually fill 4 in a year), but I've been able to sketch, pencil, and ink an entire graphic novel. 

But maybe that's how it's supposed to work, you explore, play, and experiment, then find something you want to sink your teeth into and deploy, execute, and produce. I just wish I could figure out a way to not do one at the expense of the other. 

Hoping I find the balance between these two before my career is over! 

Anyway, here's my drawings. Commentary in the captions.

-Jake

Only after I posted this on Instagram and someone mentioned the word "avocado" did I realize this looks like an AVOCADO BOT. Maybe I should do more food based robots. 

Only after I posted this on Instagram and someone mentioned the word "avocado" did I realize this looks like an AVOCADO BOT. Maybe I should do more food based robots. 

An Emerald City Street Guard is startled by a rascal riding a kangaroo-rabbit.I colored this with my Winsor Newton watercolor set which I love.

An Emerald City Street Guard is startled by a rascal riding a kangaroo-rabbit.
I colored this with my Winsor Newton watercolor set which I love.

he Emerald City Air Squadron defends the city from all enemies, foreign and domestic. I drew this in anticipation of Emerald City ComicCon. Every year before I go I do some kind of Emerald City themed drawing. 

he Emerald City Air Squadron defends the city from all enemies, foreign and domestic. I drew this in anticipation of Emerald City ComicCon. Every year before I go I do some kind of Emerald City themed drawing. 

This is my go-to default subject matter when I don't know what to draw. Little bots with numbers on them. I did 200 of them several years ago. This drawing and the next are me toying with the idea of doing another hundred.

This is my go-to default subject matter when I don't know what to draw. Little bots with numbers on them. I did 200 of them several years ago. This drawing and the next are me toying with the idea of doing another hundred.

Cooling off.This was all digital from sketch to final. Took 2 hours. I drew it for an svslearn.com live demo. You can order, download, and watch it here. 

Cooling off.

This was all digital from sketch to final. Took 2 hours. I drew it for an svslearn.com live demo. You can order, download, and watch it here

If you like the kind of stuff I talk about here showing up in your inbox, maybe join my mailing list?

You'll get updates on my projects as well as cool links to interesting and creatively inspiring stuff I encounter throughout the week.

SkyHeart Colors

Hello! In keeping with the spirit of this blog as a place to post more longer form content and stuff I'm thinking about, I thought I'd also share some production updates for whatever it is I'm working on. In this case it's my all-ages graphic novel SkyHeart. 

Right now I'm neck deep in coloring SkyHeart.

I only have 36 pages left to finish coloring out of 126! Wanted to share a few of my favorite pages with you:

Inside Mal Threck's skyship.

Inside Mal Threck's skyship.

The back alley ways of Bridgeport are the perfect place for a stick fight.

The back alley ways of Bridgeport are the perfect place for a stick fight.

Wake's mom has had to take on extra work since he went off to war. 

Wake's mom has had to take on extra work since he went off to war. 

Mal Threck rides to find the Star Seed!

Mal Threck rides to find the Star Seed!

I've also updated the SkyHeart webpage with a ton of info, PLUS a preview of the first 10 pages of the book. So head over there to check it out. 

I had to pause production while I went to Emerald City Comic Con. This week and next has me tied up with accounting, taxes, and a bunch of loose ends on various projects. I'm hoping to get back to coloring by the end of the month. 

Lastly, a huge shout out to Ryan Nimtz, Rachel Everett, Cam Kendell, Dado, and Tanner Garlick for all their help in assisting me on this book so far. These guys are incredible to work with!

-Jake

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